|
Post by stonedcrow on Mar 31, 2016 1:39:23 GMT
Here is a quick lesson I wrote up a while ago on another forum under the tag 'MajorTom', it's basically how I teach all my students how to work out every major scale that there is for themselves, all it requires is that you know they layout of a keyboard.
I always recommend that my students whether they are studying electric guitar, or classical guitar go out and buy a cheap 21 or 25 key keyboard, they are very handy to have even really cheap ones, if my students fancy becoming more proficient with the keyboard or piano, I advise them to spend a bit more money on one and perhaps even get one with the full 88 keys, but for the purpose of working out every major scale, 21 or 25 keys is more than enough, and this is a surprisingly simple thing to do. So simple to do in fact that I am shocked that they don't teach this little trick in guitar lessons yet alone piano lessons, and continue to force you to learn your scales via memorizing them without any memory aides or tricks.
As you will notice in the photo above I have labeled every key on the keyboard - the small 'S' means sharp, my keyboard doesn't have the ability to make the sharp symbol, nor does it have the ability to make the flat symbol, C sharp, is the same note as D Flat, but for simplicity I'll stick to using sharps, and focusing first on the C major scale.
Now the scale of C major is made up of eight notes, C, D, E, F, G, A, B, and finally the octave C, if you look at the position of these notes on the above keyboard you will notice that there is a a 'step' in between the first and second note in the scale, in other words there is a black key in between the C and D notes, this is repeated again between the D and E notes, when it get to the E and F notes there is no black key in between these notes, so this is a half step, it goes back to a step in between the G and A notes, a step in between the A and B notes and a half step in between the B and the C note.
In simple terms the pattern for any major scale is as follows step, step, half step, step, step, step, half step. With this pattern and a 2 octave keyboard in front of you, you can work out every major scale and the notes that form that scale.
Take the scale of G major for example:
G, A, B, C, E, F#, G
G to A is a one step, A to B is a one step, B to C is a half step, C to D is one step, D to E is one step, E to F#(F sharp) is a one step, and F#(F sharp) to G is half a step.
The only thing you need to remember when trying to work out major scales and the notes that make up these scales is the following pattern:
Step, Step, Half Step, Step, Step, Step, Half Step
It also helps to have a keyboard in front of you or the ability to visualize one and the position of the notes on it, though this is not necessary, and it becomes a lot easier the more often you do it, in fact it almost becomes second nature.Try using the pattern with other major scales to see it working for yourself, I can not stress how memorizing this simple pattern will make major scales very simple to work out for youorself.
|
|
|
Post by jdto on Mar 31, 2016 3:20:44 GMT
My teacher uses a keyboard to show me stuff (very similar to what you do here). Thanks for sharing.
|
|
|
Post by Maxwell on Apr 5, 2016 22:35:57 GMT
Too many students don't understand what a key signature actually is...
I think it important that the basics of reading music with a beginning student is taught.
If the have an understanding of keys, when they see a staff with two sharps, they will understand why it is what it is....
Order of sharps; FCGDAEB... Take the last sharp written on staff up a half step and that is the key... So with two sharps, F# and C#, take C# up a half step to D, so the key is D...
So the D scale MUST be D E F# G A B C# D
Therefore the chords withing the key of D are:
I D F# A ii E G B iii F# A C# IV G B D V A C# E vi B D F# viidim C# E G I D F# A
Intervals (steps) in the major scales.
D > E Whole E > F# Whole F# > G half G > A Whole A > B Whole B > C# Whole C# > D half
It's good to NOT concentrate too much in the key of C. With too much in C, the student freaks when you add sharps/flats keys thinking it is harder but it is not...
Excuse any messup in the above, trying to type this while eating and dicking with html stuff... I may have dribbled into idjitry by accident....
If they ever get a picture of the mechanics of a key in their head from learning scales and note names, then chords are easier because the know why... Transposing also is much easier... I IV V I is mechanically the same no matter what key you are in....
Teaching simple bass lines help too as they learn what the interval is when you cross string like E string 5th fret across to A string same fret and vice versa... Ooooh, fourths... up but fifths the other way... Coolio stuff...
I know I'm preaching to the choir but so many are NOT taught ANY mechanics, just mimicry... Doing mimicry ain't teaching...
Edro
|
|
|
Post by Grand Toad on Apr 5, 2016 23:04:49 GMT
Dammit, Edro. I learned to read music when I played clarinet when I was 9 to 11 years old. And, yes it did sound like some one strangling a chicken. I knew how to read music when I started taking guitar lessons from 11 - 13. I'm in the process of relearning that fine skill. I quickly forgot how to read music, after I quit taking lessons. I remember bits and pieces, but some of it is lost. It's not like riding a bicycle. I think one of the worse things I was ever told, and this by an alleged guitar teacher, "you wanna learn rock, and blues, you don't need to read music." Mother fecker was wrong, on that one. I did find this, which helps.
|
|
|
Post by Colchar on Apr 5, 2016 23:25:02 GMT
Dafuq are you lot talking about?
Sounds a right load of shite to me. Maybe if I actually understood any of it, it would make some sense!
|
|
|
Post by Grand Toad on Apr 6, 2016 1:01:41 GMT
Reality is I didn't need to read music, or know theory to play Rock, or Blues. I learned some scales, some chords and went for it. Used the same bag of tricks to play country music.
|
|
|
Post by Maxwell on Apr 6, 2016 2:45:25 GMT
You don't HAVE to be able to read to play... but it damn sure makes a lot of the 'magic shit' not be magic shit if you know the basics...
Truth is, you DID learn a bit of theory and structure... Just a very simplified version...
I've listened to folks before say "you don't need no theory, none at all." They will then explain a song or run....using theory. Simplified redneck theory, but still theory. Different terms/explanations, still theory... They just learned it the long and hard way...
Played kb with a guy (gtr) waaaaaayy back that when working up a tune, he would play Amaj C#maj Dmaj Emaj... I asked him was he listening to what he was playing...
He got pissed and said he was right, and I was full of tish...
I asked him to prove to me that E# was in the key of A and since when did the iii chord in a major key become major... 'Play an Amaj scale and show me the E# anywhere in that scale....'
Also, if E# was in the key of A, why the hell did he play the V chord as Emaj instead of E#maj.... (A has three #'s: F#, C#, and G#... E# damn sure ain't one of em so iii is C#-E-G#, which is minor)
He just looked at me... I played the progression on my Rhodes a bunch of times both ways until finally he realized his wasy sounded just plain wrong...
Twenty plus years later, I was with my late bro and ran into him for the first time in close to twenty years. First thing he said was "you were right all along, you sonofabitch" and grinned. After that band split waaay back, he took some beginning piano classes at the local juco and was in class when the realization hit him about the mechanics of a key signature... We had a good laugh... Hell of a guitar player now... Has a small studio and can damn sure play anything including jazz...
Carry on...
|
|
|
Post by Maxwell on Apr 6, 2016 2:50:33 GMT
Dammit, Edro. I learned to read music when I played clarinet when I was 9 to 11 years old. And, yes it did sound like some one strangling a chicken. I knew how to read music when I started taking guitar lessons from 11 - 13. I'm in the process of relearning that fine skill. I quickly forgot how to read music, after I quit taking lessons. I remember bits and pieces, but some of it is lost. It's not like riding a bicycle. I think one of the worse things I was ever told, and this by an alleged guitar teacher, "you wanna learn rock, and blues, you don't need to read music." Mother fecker was wrong, on that one. I did find this, which helps. I look at some of those keys with a "why in the stem winding hell...."
|
|
|
Post by sixstring on Apr 7, 2016 1:32:44 GMT
if she's got scales...i leave her in the bar room.
|
|
|
Post by Colchar on Apr 7, 2016 4:09:45 GMT
if she's got scales...i leave her in the bar room. Captain Kirk would still take her home............
|
|